Voiceovers And Slating Auditions

Last week I was talking to a friend about slating auditions. It also came up in a recent voiceover Facebook Group discussion.

For those of you who aren’t familiar with slating, it’s when you state or “slate” your name either before or after you audition so the voice seeker knows who they are listening to. Sometimes you say the name of the agency who sent you the audition, the role you’re auditioning for, and the name of the city you live in. It depends on what the voice seeker wants. It’s my understanding that most, if not all of the time, you slate for union auditions. In my experience, whether and how you slate for non-union auditions varies wildly.

Here’s my twelve cents on slating:

In-Person Auditions: When you go to an in-person voiceover audition, most of the time the audition is recorded and most of the time you are asked to slate. Usually they ask you to slate your name and then dive into the audition. I don’t do it in character or try to do anything clever or memorable. I just say my name and then audition. As far as I can tell it has had no effect on my performance or made any particular impression either positive or negative on the voice seeker. I’m pretty sure I’ve never gotten cast or passed over because of my slating.

Online Auditions: In the 21st century, I think online slating is unnecessary. Most of the time you’re asked to include your name on the sound file. Even if it isn’t, your name is probably on a list in front of the voice seeker so they know who’s who when they’re listening. If they don’t know who you are when you are auditioning, either it’s because the casting service is keeping the talents’ names a secret (so the voice seeker doesn’t go behind the casting service’s back and cast the talent directly to avoid paying the commission) or somebody made a mistake. Regardless, I only slate when it’s absolutely necessary because frankly, I think it’s dumb. It can pull you out of character or you have to try to do it in character and I don’t see the point. It’s just one more thing to screw up.

TIP OF THE WEEK

Don’t sweat slating. I don’t think that slating or not slating or how you do it has any effect on whether you’ll get the part or not. If a voice seeker takes your slate into consideration, they’re focusing on the wrong things and I wouldn’t want to work with them anyway. Just say whatever they want you to say and then do the audition. If you’d like you can “pre-record” your slate and then paste it in anytime slating is called for. That way you don’t have to worry about being pulled out of character (if that’s even a thing) so you can focus on your performance.

Honestly, and I say this with a smile :), I think this is a stupid subject that comes up with frightening regularity. There are hundreds of voice talent who enter the industry every day with the same questions that have been answered ad nauseam on the Internet but can’t be bothered with doing any actual research. Focus on being a good storyteller and a good human. The rest is out there in a blog, article, or forum if you take the time to look.

NEWS AND NOTES

This week’s Audio Book Memory Lane title is “Safe Harbor”.

This is a lovely tale about two childhood friends who reunited after decades and fell in love. Here’s a video of me being interviewed by the fabulous author Judith Arnold:

You can listen to a sample of “Safe Harbor” here.

NOW until August 30th: Did you miss the amazing Voiceover Intensity eLearning workshop with Christi Bowen? Here’s your chance to see it! From now until August 30th you can download all six modules.

Thursday, August 23rd @8PM EST: My next Marketing 201 webinar will be “4 Words That Will Kill Your Marketing” We’re going to talk about the power of words and how they affect your Systems of Thought as well as your marketing.

HAPPY HAPPYS

Happy Cuban Sandwich Day and Pluto Demoted Day!

QUOTE OF THE WEEK

Sex is like pizza. Even when it's bad, it's still pretty good.

From my village to yours; this is Tom Dheere, The H is Silent, but I’m Not.

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Tom Dheere is a 30-year veteran voice actor specializing in corporate narration and commercials. Known as a "street-smart professor," he blends his theater-based training and guy-next-door performance style with mastery over voice over project management .

When he isn’t in the booth, he provides strategic business consulting at VOStrategist.com and produces the comic book Agent 1.22.